Knotan: S.OLIVER Spring/Summer campaign
Knotan was recently invited by S. OLIVER to shoot the Spring/Summer collection. The Swedish photographer was the ideal choice to kick off the season with a fresh new collection and roll out their new campaign. Usually known for his otherwise raw and provocative subject matter, it’s his ability to inject a sense of fun and spontaneity into his work that particularly appealed to the well-established German fashion brand.
From smart summery ensembles to T-Shirts with attitude, S. OLIVER’S colourful new range is brought to life with Knotan’s inherent ability to tickle some fresh fun and attitude out of his subjects. Finally, we can all whip out our sunglasses, because thanks to Knotan, spring really is in the air!
Knotan: Jewellery design by STINA ENGSTRÖM
For his latest project KNOTAN turns his lens away from beautiful girls and onto the more conventional glitter of jewellery. Scandinavian designer STINA ENGSTRÖM is a big fan of Knotan’s provocative style and couldn’t think of a more fitting photographer to shoot her latest collection ‘Black is the light’.
Made entirely from black materials, Engström’s collection is a tribute to the darkness, and the creativity that can seep out of it. Knotan shot the series in a blacked-out studio with only one light source. Necklaces dangle in mid air as black shards reflect light back to our eyes, like the glistening waves of a silver moon-lit lake. Smoke curls seductively around the necklace as if exhaled by Marlene Dietrich. Knotan has just made Plexiglas sexy.
Knotan: Selfportraits for Let them eat Cake Magazine
Despite his racy portfolio, Knotan himself is a surprisingly down-to-earth guy who likes to spend his free time down by the river with a fishing rod and a book. So for this “Let Them Eat Cake”-publication, Knotan decided to challenge himself and place himself at the mercy of his own camera, like the many models who have bared all for him in the past. In the series, Knotan brings out the different parts of his personality: from serious to silly, naughty to shy, he embodies each side with fearlessness, humor and bravery. Who knew he was his own best model? Well, it’s always the quiet ones…
Knotan: Digital Temple Magazine " Get primitive"
At first, Knotan’s latest editorial for Digital Temple Magazine seems like another of the “beautiful people being cool” photo style on which he has made his name. But, as always with Knotan, there is something more personal and more nuanced at work. He is a master of slipping depth into his eye-candy, of drawing out doubt in confidence. There’s always an undercurrent of something else going on.
Here, his model is making eyes at the camera, sultry and seductive. But there’s something a little ‘off’: her come-on a little too direct, her screams a little too manic, the vivid colours in the background suggesting there’s wild turmoil going on beneath the surface. It’s a routine that seems to come more out of boredom than desire. As though there’s nothing better to do than “get primitive”, as her t-shirt urges.
Knotan: Dark Lolita spread in PAP magazine
Everyone knows the standard image of Lolita – the sunbathing lollipop-sucking teenage seductress with love heart sunglasses. But in PAP magazine, KNOTAN shows us a darker take on Nabokov’s classic. This is Lolita at the end of the book, when things have turned sour, and a life on the run has taken its toll.
A feeling of seediness and lost innocence runs through every image: most obviously in the accusing eyes of his dark-haired model, but also in the little plastic Elvis which dangles in the rain-spattered car window. This is the end of the road.
Knotan - The Nude
From time to time Seltmann & Söhne release a themed book showcasing the best photographers in a particular subject matter. When the theme of nudity was proposed, it came as no surprise that Knotan would be one of the photographers asked to take part. His contribution, a self-portrait in which he wears nothing but a stiff buttoned-up shirt and a serious expression, shows the ironic twist of his own approach to nudity.
To celebrate the release of the book, we’ve issued an accompanying postcard of Knotan’s portrait with its own removable sticker which may then be placed anywhere on the original portrait of his body. The campaign has been met with great success, many people have posted humorous photographs of their own interpretations on Facebook. So if there’s a danger your delicate sensibilities have been offended by the works on pages 86/87 of Nudealbum 01, now’s your chance to take revenge and be creative with our humble little censor bar.
Knotan: Interview in ART magazine
The ART MAGAZIN published an artist portrait about KNOTAN. His nude photographs constitute the core part of the publication, all of which are distinguished by a very unique visual language. He tends to oscillate between nude and pornography, yet still manages to never drift off one way or another. The result is a sensual style of photography, which ensures the models always look their best.
Knotan for art Magazin
Knotan was recently featured in the weekly column about nude photography of art Magazin.
What attracts you to the subject nudity?
I’m not just about nudity. For me the expression of the person and the reality of the photo is just as important.
How far would you go? Are there any taboos?
I don’t think that I have any taboos, as long as the photo serves a purpose.
When is nudity a work of art?
Ask the viewer! When would you describe yourself as an artist?
Are there any inspiring role models?
Larry Clark, Jouko Lehtola, Lars Tunbjörk, Malin Skjold and many others.
What other themes are you also concerned with?
Feelings and forms of expression are most important to me.
What project would you like to realise one day?
There is currently no specific project planned. But I would definitely like to have more exhibitions.